No taboos No taboos
No taboos No taboos

But first… some basics

In order to clarify what will be discussed later on, it might be of use to precise the workings of the menstrual cycle. Indeed, the whole cycle takes around 28 days and is regulated by the fluctuations of different hormones. The cycle is divided in four stages which are defined by these fluctuations. The first of these four stages is the menstrual phase in which menstruating people have their period.  The follicular phase, during which the body begins to produce estrogen, takes place right after this, followed by the ovulation, when the estrogen level gradually decreases and the metabolism is accelerated. At last, there is the luteal phase, where progesterone level increases constantly until it reaches its peak in the middle of the phase. All of these phases are characterized either by a peak or a low of a given hormone. These changes can impact the body and mind positively or negatively with regards to creative abilities. However, it is important to state here that all menstruated athletes won’t react in the same way and to a different extent to those hormonal changes.

This text is a very brief and compact version of Sarah’s essay

 

The positive effects on the artistic and creative abilities

The hormonal changes taking place during the first part of the menstrual cycle, i.e. from the middle of the menstruation until the end of ovulation, have a positive influence on creativity and artistic sense. Indeed, the high level of estrogen during the follicular phase not only increases  the production of serotonin, thus improving mood, but it also reduces premenstrual syndromes (PMS). Moreover, the estrogen will lead to a peak of energy, boost the metabolism and motivation of the  athlete-artist in general. Later in the ovulation phase, cognitive functions will also benefit from this hormone. Indeed, the high level of estrogen, leading to the production of serotonin, can induce a better adaptation to social situations, improved interactions with others, as well as better concentration and acquisition of new knowledge. Thus, all these biochemical reactions bring not only physical benefits to the menstruated person but also psychological and cognitive benefits. This set of factors will provide an environment that is more propitious to the artistic and creative sense.

The negative effects on the artistic and creative abilities

During the second part of the cycle, and more precisely from the luteal phase until the beginning of the menstrual phase, the ability to create and motivation in general are negatively affected. The drop of progesterone and estrogen levels just before menstruation can result in emotional discomfort. Indeed, this is known as premenstrual syndrome which is characterised by the following effects : depressed mood, anxiety, anger, lack of interest and difficulty to concentrate. Apart from the difficulty in performing and training, menstruation causes additional stress in athletes-artists as it comes with the fear of staining and the lack of understanding from coaches and sports world in general – thus affecting artistic and creative abilities.

In order to illustrate the argument, here are two representative testimonies from the survey:

"My heart sinks every time I am hired for a show and I see it is at the same time as the first few days of my cycle because I know how hard I will have to push myself and how uncomfortable it will be. I always push myself to perform through the pain because I don't want to let my bleeding get in the way of my passion, but it is always so much harder than when I perform without the extra stress and anxiety of bleeding. If I am training, I will often take the day to let my body rest, but sometimes as women we don’t always have that option because people on the business do not always accept that as a valid excuse.”

“(...) In moments of shows I see no big chance how to protect me and my body from what the "world" is expecting from me in this moment.

"I tend to feel very antisocial, extreme fatigue and heaviness/bloating the week leading up to and during my period. It makes performing shows a lot more challenging.”

Performing

Punctuality - trust - precision - eagerness - artistic flexibility - honesty - beauty. All those things Sarah represents for me without question intellectual zirkus performance with the tendencies to be so much more a performance artist I would book whenever I can.
Phil Mosebach
Director - www.phil-lip.de

Coaching

Training with Sarah is great fun and has helped me make incredible progress! As a hypermobile person, I have always struggled with any kind of movement. Through Sarah's expertise, I’m learning to recognize the strengths of my body. Her empathic manner and sophisticated coaching encourage me to tackle my individual challenges with joy and dedication!
Glen Sattler

Mentor

I was lucky enough to be a witness to Sarah's transformation; from a first-year circus student into a professional circus artist. Calm, dedicated and hard working in training... on stage elegant and unstoppable like a force of nature. She is a charming personality with an unbelievable sense of balance.
Piotr Zdanowicz
Head coach and teacher of the circus department of Die Etage

Collaboration

Sarah is an exceptionally hardworking and dedicated artist with remarkable talent and stage presence. As a coach, she is an attentive listener who customizes her programs to meet the unique needs and goals of each individual. Her ability to be flexible and adapt to every situation is outstanding. Her genuine care for those around her shines through in her artistic, coaching, and personal endeavors. Sarah’s kindness and commitment to finding the best solutions for everyone she works with are truly inspiring. I wholeheartedly recommend working with her; she is truly invaluable.
Gabriel Gawrysiak

Collaboration

Sarah is always available and motivated for various video and photographic projects. She has many creative ideas that reflect her passion and talent for the circus. It is a pleasure to work with an artist who is full of energy, kind and always smiling.
Régine Lehmann
Photographer - www.reginelehmann.ch

Performing

Sarah has the ability to create real artistic masterpieces. Mix of graceful movements, with the craziness of technical tricks. She transports you into her world with numbers faithful to herself. Mixing humor and sensuality she always keep a poetic touch
Yvon Fragnière
Circus artist

Directorship

I met Sarah when I created my first show in Switzerland; She is a committed, hardworking and generous artist. She has the sense of the stage, she knows how to let go when it is necessary and knows how to serve and dedicated herself to her work, she is an artisan. She has a strong presence and grace on stage, she is an Edelweiss, elegant, wild and rare. My next show won't happen without her...
Olivier Sabin
Comedian and stage director

Coaching

Sarah stands out as an outstanding coach who radiates warmth and friendliness. Her passion for her craft shines through in every session. She genuinely loves to share her vast knowledge and experience, gained over many years, to help us reach our highest potential. Her ability to convey complex techniques in an accessible way is truly remarkable. Sarah is not only a specialist in her domain but also possesses a holistic understanding of sports, making her an exceptional coach.
Zacharie Despond

Programmer

For the last three years Sarah has been one of the artists who has worked with us regularly in very diverse projects in Zirkus Mond Berlin. She is a person who adapts easily to the needs of the show, likes to work in a team and always gives the best of herself. In her personal creations she has an exceptional artistic sense that leaves no audience indifferent. Sarah is a great professional with whom I hope to continue working for many years.
Juan Migami
Programmer for Zirkus Mond, Berlin - www.zirkusmond.de

Programmer

The best circus performer I had almost 3 years of events at Psycho Kitkatclub… Bravissima Sarah👏👏👏
Ari Denaro
Psycho Kitkatclub - denaro.com

Spectator

I had the chance to get to see Sarah Repond perform twice. Both times I was absolutely stunned by the way she is able to control her body and her presence on stage. Not only from an acrobatic point of view also from an acting point of view it was a one of a kind performance. Mouth trapeze is very cool itself but in combination with her contortion work it was even more exciting. Balancing on your hands is one thing but being able to balance only on your head is completely mind blowing especially on a swinging board in the air!! As I am trying to educate my body as well, I can somewhat relate how much dedication Sarah puts into her profession. Go check out her shows it’s so worth it!
Philipp Grassinger